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In the
global field
of Martial
Arts, the
Japanese
boast of
their
Karatedo,
Judo, Sumo,
Samurai and
Kendo. The
Koreans have
their
Taekwondo.
The Chinese,
their Kung
Gu. The
Thais have
their Muay
Thai
kickboxing.
By the same
token, the
Filipinos
are and must
be
identified
globally
with Arnis.
According
to Engineer
Jose Dion
Diaz,
president
and founder
of
Philippine
Indigenous
Games and
sports
savers (PIGSSAI),
thousands of
arnis clubs
abounds not
only in the
country but
around the
world as
well. From
United
States,
Australia,
Africa,
Asia,
Europe,
Canada to
New Zealand,
foreign
arnis
practitioners
value the
art with so
much respect
and
importance
becoming an
institution
and a noble
sport.
Diaz, also
the deputy
manager for
infrastructure
of the
Philippine
Tourism
Authority;
narrated to
DP that one
of the early
practitioners
of Arnis was
Rajah
Lapu-Lapu.
“He is our
first
national
hero,
remember?”
He
described
the rajah as
a bold and
handsome
warrior
king;
chieftain of
Mactan in
the 16th
century “Visayas”.
Lapu-Lapu
was a master
in the
six-sword
slashing
manoeuvres
of the Arnis
called
pangamut
coupled with
the ancient
wrestling
art of the
dumog and
with his
lighting
skills as an
arnisador,
Lapu-Lapu
fought the
Spanish
conquistador,
Ferdinand
Magellan in
the Battle
of Mactan in
1521.
Although
“arnis” was
banned
during the
Spanish
times,
because the
Spaniards
were fearful
that the art
could be
used in
rebellion,
they put a
stop to it,
by claiming
the
Filipinos
took so much
time
practicing
arnis that
they
neglected
the fields
and other
chores.
“So scared
were the
Spaniards
that they
even
required the
Filipino
males to
wear their
shirt
transparent
to ascertain
that no
bladed
objects were
tacked or
hidden in
their
waists.”
Diaz told
DP.
Today, the
game Arnis
is played
with much
freedom.
Diaz as its
president
and founder,
has
recreated
the game of
“arnis” to
complete the
science in
self-defense
fought by
weapons
which
include the
rattan stick
for
beginners or
fight like a
count Zorro
with blades
and sword
for the
highly-skilled.
Diaz added
that their
group is
conducting
free
demonstration
and
exhibition
of arnis
combined
with
different
martial arts
every Sunday
at Luneta
Park, at the
back of
Department
of Tourism
(DOT)
building,
from 6 to 9
pm.
Diaz also
known as the
Guru by the
followers of
Arnis,
explained
that this is
his
organization’s
contribution
to the
country’s
cultural
drive.
He says
they are
batting for
the revival
of native
games,
particularly
arnis, not
only as a
tourism
product but
also a game
for sports
competition
that would
eventually
be
recognized
as a World
Olympic
sport.
Even the
coach of
Philippine
Arnis Team,
Raffy
Montalbo
believes
that is the
government
would give
all their
support in
this
indigenous
sport the
country
could get
more
prestige
around the
world.
“Arnis is
world-class
art, a
stylish and
regal sport,
a cultural
pride and
above all, a
true
Filipino
identity.
Filipinos
should
support this
sport
because this
is ours!”
The
Philippine
Arnis Team
will be
competing
for the
coming South
East Asian
(SEA) Games,
which the
country
hosts on
December.
“Our Target
is the
over-all
championship.
There are
six gold
medals at
stake in the
Sea Games
and we
believe we
might take
all the gold
medals,”
Coach
Montalbo
confidently
says.
The team is
currently on
intense
training to
make sure
they could
take home
the bacon.
Their close
rivals for
the
championship
are our
neighboring
countries
like Vietnam
and
Thailand,
whom coach
believed had
mastered our
native game.
Engineer
Diaz further
said that
world
abounds with
martial arts
“masters”.
But, a
relatively
large number
of these
individuals
have only a
theoretical
understanding
of the
techniques
that
comprise the
arts.
Moreover,
many have
not had the
opportunity
to employ
their skills
in an actual
fight.
Diaz said
since the
Philippines
is an
archipelago,
which is in
constant
turmoil,
martial arts
practitioners
are able to
maintain
their
practical
experience
in the arts.
A good
example, he
said, was
the World
War II and
before that
the
Filipino-American
War when
practice in
the arts was
done
laboriously
and with
diligence,
especially
in the
“patayan” or
death-matches.
The arnis
guru
describes
Arnis as
dynamic and
reminiscent
of the
classical
espada y
daga or
(sword and
dagger);
baston y
daga (stick
and dagger);
solo baston
(single
stick),
“mano-mano”
(empty
hands) and
the bayonet.
The arnis
is
predominated
by the heavy
cutting and
whirling
strokes;
combined by
the
movements of
footwork,
encompassing
the
side-steps;
pendulum
steps,
weaving and
pivotal
movements.
Diaz has
come up with
three
methods for
the person
in an
empty-hand
confrontation
faced by a
weapon-wielding
opponent.
There are:
lightning
disarming;
blasting
disarming
and
self-rebounding
disarming.
“All these
methods will
successfully
disarm an
opponent and
injure him
in the
process,”
Diaz
concluded.
Aside from
his arnis,
Diaz
explains
that PIGSSAI
wants to
preserve,
revive,
enhance and
promote all
Filipino
indigenous
games and
sports,
particularly
Filipino
Martial Arts
(FMA) and
the
traditional
Filipino
Native Games
(FNG) as
part of the
cultural
heritage.
FMAs are our
ancestor’s
cultural
legacy in
the field of
self-defense
techniques
and weapons
fighting
system that
have been
existing in
the country
long before
the
Spaniards
came to
shore. Some
of these are
arnis, the
sikaran art
of
kickfighting,
the dumog
and pambuno
styles of
traditional
wrestling,
the hand and
foot combat
of Mindanao
silat and
kuntaw,
among
others.
FNGs on the
other hand
are those
indigenous
traditional
native games
most
children,
even adults
play like
the board
game of
drama; the
street games
of patintero
and piko;
the fiesta
games of
basag
palayok,
pabitin and
palo sebo;
the object
games of
holen,
trumpo and
yoyo; and
the original
game of
sungka.
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